DOCUMENTO +
Time brakes in. Notes fade and materials decay, still unaware of their fate.
Musty canvases, colored in green and gray, pierced by hyphens, blame time and question it.
I try to explain these visions through calligraphy and numbered order.
The light pencil, lines and numbers, expects overlap china… that may not ever come.
Musty canvases, colored in green and gray, pierced by hyphens, blame time and question it.
I try to explain these visions through calligraphy and numbered order.
The light pencil, lines and numbers, expects overlap china… that may not ever come.
. frame (45x60) cm
. molds samplings
. paper passepartout
. captions written
Davide D’Elia looks at the natural process of mould and blood coagulation with the end goal to create “the stage for abstraction”: the artist dwell in lab scientific methods and present an empiric result of his research in a state “supposedly and nearly stabilized”. Visual effects created by random laceration made by bacteria on bio-tissues. This “contaminated” works are the expression of an in-depth research made by Davide and its aesthetic result is the product of the artist awareness.
abstrac from HORIZON OF EVENTS catalog
